We got good weather in August, good for a city guy with no lawn, and then a typhoon came to town and a torrent fell last Saturday during a star-studded concert in Central Park where my wife sent me a video of Barry Manilow on stage, whose facelift had destroyed his voice, singing his brains out as lightning flashed to the south which shut down the show, but now the rain has ended and the world feels like September with the smell of apples and possibility in the air and I feel young and indomitable, crossing the street in front of eight beefcakes on Harleys and I feel like saying, “Which one of you cream puffs wants to take on a retired radio announcer?”
We’ve been living small for two years now and the simple pandemic life has been good for us. We switched from Perrier to New York tap water and when we want bubbles, we blow through a straw. We’re done with loud restaurants and the social whirl. I gave my fancy clothes to the Salvation Army and now I’m seeing homeless men in Armani tuxes. But now I need a break and I’m thinking we should rent a house on the coast and do what Emerson said, “Live in the sunshine, swim the sea, drink the wild air …” Forget about memory loss and do some serious self-care. But do I dare suggest this to the boss?
I am married to a professional orchestra musician so I am held to a higher standard than most people, and even now, looking at this column, I see where maybe I should go back and maybe scratch the Harleys, but I don’t, I’m not a perfectionist, I feel it’s hopeless, spending all day rewriting over and over and thereby losing the spirit of the thing like Sir Wally Raleigh who sailed up the Orinoco in search of El Dorado and for all his trouble came back to London to have his head chopped off and instead of a wealthy aristocrat he became a city in North Carolina and a cigarette. My wife has spent her adult life in the string section, where often the players must ignore the wild man waving the stick in an agony of ecstasy and take their cues from each other and thereby keep the symphony from going over the cliff, even as the audience is moved by the maestro with big hair and it is he who gets the standing O at the end, not the oarswomen in the orchestra. So she looks at my desk and says, “Something needs to be done about that,” but I believe great things may emerge from chaos, otherwise what is democracy about?
She came home from the concert in the Park as the storm hit, rain blew against the windows, lightning exploded, and in the worst of the storm, wind howling, the word “apocalypse” almost on our lips, and I quietly suggested we spend a couple days on the coast and to my surprise she said yes. So I wrote:
My darling, you have my devotion, You set all my hormones in motion, You’re my dearest friend And I hope we can spend Two days overlooking the ocean And enjoy it together Regardless of whether There’s a midweek discount promotion.
I’m a Minnesotan, my formative experience was hoeing corn and mowing grass, which naturally leads to a career of writing sentences horizontally on a paper rectangle. My hero when I was young was Thoreau, a nice guy but a fraud. He wrote a heroic essay about civil disobedience and spent one day in jail and Emerson paid his fine. He sat out at Walden Pond writing beautifully about independence while his mom was bringing him hot meals and doing his laundry. When he said, “The mass of men lead lives of quiet desperation,” he was probably talking about himself.
Now I’m old and my hero is Emerson, who said, “Every great and commanding moment in the annals of the world is the triumph of some enthusiasm. … This is the one remedy for all ills, the panacea of nature. We must be lovers and instantly the impossible becomes possible.” So the lovers are going to the sea, the sea, her and me, and the great triumph that comes of it is love itself, the chaotician and the perfectionist, we lie in bed holding hands as the breakers roar, and all of you who do likewise, know how lucky you are. It ain’t desperation, it’s respiration.
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Don and Phil Everly came out to St. Paul to do “A Prairie Home Companion” in the spring of 1987. I’d met them in Nashville through Chet Atkins who produced their big hits in the late Fifties and they were trying hard to get back on top of the business, not just be another oldies act. They’d had a famous breakup back in 1973, had tried to work solo, which didn’t work, and got back together, and here they are doing “Bye Bye, Love” for the ten-thousandth time and then the sweet Mark Knopfler “Why Worry?” Phil was easygoing, Don seemed sort of troubled, their brother harmony was locked-in solid. They sang on the show again in 1994, in Nashville. I saw them doing a guest spot on the Simon & Garfunkel 2003 tour, they came out doing “Bye Bye, Love” like always. I guess they were born to make that sound and once they got there, there was nowhere to go but keep doing it. Phil came to a PHC show in L.A. years later and I ran into him in the parking lot by the stage door. He was meeting his date there, a lady detective from the LAPD and he asked me to sing “Why Worry?” and dedicate it to her and I did. I didn’t know them but I miss them. I wish someone would walk in and sing “Dream” and I’d sing Phil’s harmony part. Someday someone will.
What a wonderful memory of the Everly Brothers singing on your PHC program and how fortunate for you to have presented them. You must be happy that you had an opportunity to make such a moment happen. How fortunate for you, a writer of humorous tales, to be so lucky to make a vehicle of entertainment so endeared by so many. Destiny I would guess plus talent.
Thanks the the reminder of the greatness of the Everlys. There’s just something about siblings singing together that elevates regular harmony to another level. And when you add in the talent these guys had, and it’s truly unique. The sound of them harmonizing still gives me goose bumps. You were fortunate to hang with them a bit.