My personal journey toward self-minimization

The Column: 11.24.23

I went to see “La Bohème” the other day, such a great opera, it doesn’t matter that the singers aren’t, and let me just say this — at the beginning of the first and last acts, set in the garret, you’ve got Rodolfo and Marcello and the guys and there’s no story, no purpose, nothing but vague bohemianism until Mimi shows up and then the lights come on, and it’s like that in life too. My opinion, okay? Message plays that preach justice and equality are okay for college sophomores but the real story is about two opposites who fall in love and she’s charming and he’s jealous and they come crosswise and hurt each other deeply but in the end they’re tied to each other. Lovers are real, families are real. Demonstrators, not so much.

These days we’re in the era of the Personal Position Statement as we saw in the recent National Book Awards ceremony in New York. There is no NBA for humor because the event is all about Taking Ourselves Very Seriously As Compensation For Slights We Have Suffered From The Uncomprehending World. The winner of the poetry prize, a man from Guam, accepted it on behalf of the poets of the Pacific islands. The translation award was accepted on behalf of gay men, the nonfiction award on behalf of indigenous peoples. If I’d been given the NBA for Brief Amusing Essays, I would’ve needed to accept it on behalf of recovering fundamentalists or overlooked Midwesterners or the marginalized octogenarian and nothing would be said about literary quality.

It was not always thus. I remember loving Theodore Roethke’s work, not as vindication of the humanity of bipolar persons, and James Wright’s, not as honoring the personhood of Ohioans, but because their poems were memorable, stuck with me, were beautiful to my ear, and still are, fifty years later.

One prizewinner said: “Being here tonight as a gay man, receiving this award for a novel about another gay man’s journey to self-acceptance, I wanted to say to everyone who ever felt wrong about themselves that your heart and your desire are true, and you are just as deserving as anybody else of having a fulfilling life.” There is something clunky about “journey to self-acceptance” — I can’t imagine anyone, gay or straight or counterclockwise, saying it in conversation with someone whose company they enjoy, and the idea that feeling wrong about yourself entitles you to a fulfilling life — it leaves out factors such as talent, hard work, good luck, self-discipline. I truly believe that the Deranged Golfer in one tiny corner of his soul feels wrong about himself — how could he not? — but that doesn’t qualify him for the Oval Office.

The NBA ceremony took place in New York, which is the Sarcasm Capital of America: nobody would dare talk aloud about their journey to self-acceptance on the subway or in Zabar’s Deli — you’d get eye-rolling and mocking comments on all sides. Look at the recent resignation of Anne Boyer as poetry editor of the New York Times Magazine in protest of the newspaper’s “war-mongering lies” and Israel’s “US-backed war against the people of Gaza” as a war for the benefit of “oil interests and weapon manufacturers.”

This being New York, the real fun was in the Comments section. A few praised her courage and then someone ripped her for “atrocious writing for a college freshman, let alone a Times writer,” and R.T. Castleberry wrote: “That should do it. No doubt there will be peace talks now that the poetry editor of the NY Times Magazine has put her foot down.” Someone wrote, “What does her job have to do with the international tragedy? I don’t know how I feel about people making this conflict all about them.” A classic New York putdown: GET OVER YOURSELF! And then another putdown: “I didn’t know the New York Times Magazine had a poetry section.”

Anne Boyer wrote a book, The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care, and I must admit that a book with that title is nothing I’d give a friend who’s going through treatment for cancer. It won a Pulitzer, maybe because the judges couldn’t bear to add Prize Denial to the Pain and Vulnerability.

Sitting at the opera, hearing the dying soprano sing to the tenor, “You are my love, you are my life,” it struck me as genuine, so much better than, “I’m dying, O the pain, vulnerability, mortality, lack of penicillin, and where is a doctor when you need one?” and the tenor, though he’d been a jerk, wept in her arms, and so should we all.

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