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Brigattista's avatar

Wonderful posts and responses as always, but I had to re-read the commentary on the renaming of towns and the removal of statues. The horrors of parts of our past have been made more transparent in the past five years than anytime since the 19th century, as has our atonement. But a caution. At what point does the practice begin to make less sense to many but stir up great, unquenchable passions in the few?

Perhaps this is not on the level of Stalin famously erasing Trotsky from a group photo when Trotsky had run afoul of ideology, but if anyone visits Town Hall in Manhattan (where my family was blessed to see PHC and GK half a dozen times) you will be pained to realize that all photographs and references to Mr. Keillor that once adorned the famed Upper Lobby Walls of Performers Past have been eliminated. Gone. The tidy work of a movement that may be losing steam but got what it wanted. The transgressions of some indicted performers hardly ascends to the level of "evil-doers," but receiving the same treatment as a dissident Marxist in the USSR says a lot about the American version of erasing history.

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Nichael Cramer's avatar

Good morning, Garrison

Concerning the musician jokes:

Like you, I was Brought Up Right, (although in my case, I’ll admit that it may sometimes be less obvious) but since you directly asked for an explanation to the second joke, well, let’s just say that just as the first joke implies that all violinists are “[Note 1]s”, similarly the second joke implies that all conductors are “[Note 2]s”.

[Note 1] “A rear-facing anatomical structure of the lower abdomen shared by both men and women.”

[Note 2] “A front-facing anatomical structure of the lower abdomen shared only by men.”

Or, as I’m sure you know, as it says in Acts 26:14 (KJV) “It is hard for thee to kick against the pricks”.

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